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27 November 2010 @ 11:51 pm
Seabeck Haiku Getaway - Day 3 (Nov 6)  
Saturday was a big day at the Seabeck Haiku Getaway and our numbers swelled as some additional local poets joined us.


photo by Michael Dylan Welch


Our day started as Michael Dylan Welch led us in another round of haiku reading, after welcoming the new conference attendees. Tanya McDonald moderated a “Haiku Show and Tell” session, where participants were supposed to bring something related to haiku to share with the group. This could be anything from a rare book to a game of “Haiku Cubes”


Michael Dylan Welch


to a dance.




Genie Nakano


edits
to haiku
a red scarf

After a short break, Charles Trumbull did a presentation on “The Uses of Haiku: Native American Writers,” highlighting some of the similarities of Native American poetry with haiku. He discussed views of nature, sense of place, kinship, cultural survival and rebirth. A discussion followed on the topic of cultural appropriation versus integration.

After lunch, Nancy Dahlberg announced the winners of the 2010 Porad Haiku Contest, many of who were present to collect their prizes, including the first place winner Susan Constable, the second place winner Carmi Soifer, and a couple of the honorable mention winners, Dean Summers and C.R. Manley.

Ce Rosenow presented and led a discussion on the topic of “(Re)Defining the West: Orientalism in American Haiku,” and continued some of the discussion raised by Charles Trumbull’s presentation. Christopher Herold launched and read from his new book, “Inside Out.” I gave a presentation on “Exploring Urban Haiku,” which discussed urban haiku by the haiku masters, the beat poets, poets from the Haiku Anthology, in addition to current trends and modern innovation. This was followed by Michael Dylan Welch’s presentation on “Punctuation in Haiku,” where he presented examples of haiku using various forms of punctuation and we discussed how the haiku was affected by the punctuation and whether or not it was effective.

This was followed by an anonymous haiku workshop on punctuation.

After dinner, there was a book launch and reading of Fifty-Seven Damn Good Haiku by a Bunch of our Friends, an anthology edited by Michael Dylan Welch and Alan Summers. It included haiku by Seabeck attendees Susan Constable, Tanya McDonald, and myself. Other contributors not in attendance were Susan Antolin, Timothy Collinson, Karen Hoy, Keiko Izawa, Dejah Léger, Caleb Mutua, Helen Russell, David Serjeant, and Alison Wilson. We read all of the haiku in the book, each of us reading haiku by contributors who could not be present for the reading. Our bios all included a note as to why none of us wrote any haiku about parsnips.


Susan Constable, Deborah P Kolodji, Tanya McDonald, Michael Dylan Welch
photo courtesy of Michael Dylan Welch


white picket fence
somewhere
someone eats parsnips

Susan Callan led a “Japanese Stab-Bound Book” bookmaking and suminagashi Japanese paper marbling workshop. The day ended with a kukai of poems written during in the retreat, and I actually ended up winning it! Second place went to Michael Dylan Welch and there was a three-way tie for third place between Barbara Snow, C.R. Manley, and Christopher Herold.

As always, there were a few brave haiku souls who remained to write rengay into the wee hours.
 
 
 
Origaoriga on November 28th, 2010 11:50 am (UTC)
we discussed how the haiku was affected by the punctuation and whether or not it was effective.

Have you come to a some kind of conclusion? :)

Deborah P Kolodji: Starfishdkolodji on November 28th, 2010 07:00 pm (UTC)
It was on a haiku by haiku basis. Michael had samples of poems that used various forms of punctuation and then we discussed that particular poem as to whether a it worked or not, or whether something else was better. For example, say a poem had a colon. We discussed how it worked in that poem and perhaps whether or not there should be an em dash or an ellipsis instead.

Unfortunately, I don't have an exact example to show you.
Origaoriga on November 28th, 2010 09:49 pm (UTC)
Thank, that's about what I was thinking re punctuation. Each haiku could be interpreted in many ways by the reader, and sometimes several different punctuations, or no punctuation at all, could be used in the same haiku ... and each one would be right (or, feels right :)
haikutec: Alan Summers manga portraithaikutec on November 28th, 2010 02:34 pm (UTC)
Great photos! Congratulations on winning the kukai! ;-)

Who took the photo of the parsnip poets. ;-)

all my best,

Alan
http://area17.blogspot.com
Deborah P Kolodji: TreeSunsetdkolodji on November 28th, 2010 07:02 pm (UTC)
Thanks, Alan! As for the parsnip poets, I don't remember who took the photo. That photo was taken with with Michael's camera, maybe he remembers.
haikutechaikutec on November 29th, 2010 12:22 pm (UTC)
Thanks Deborah! ;-)

You sure looked like you had a lot of fun reading out all the haiku from the anthology! ;-)

all my best,

Alan
http://area17.blogspot.com/2010/11/fifty-seven-damn-good-haiku-by-bunch-of.html
ankh_hpl: coverankh_hpl on November 29th, 2010 07:52 pm (UTC)
Congrats on winning the kukai! Sounds like the competition was fierce.