Deborah P Kolodji (dkolodji) wrote,
Deborah P Kolodji
dkolodji

HSA - Seattle - Day Three



Seattle Japanese Garden, Washington Park Arboretum
June 29, 2008


On Sunday, we had a ginko walk and kukai at the Seattle Japanese Garden, which is located in the Washington Park Arboretum.

At the entrance was a haiku display with sample poems from Northwest Haiku members in addition to visiting haiku poets who were there for the HSA meeting. It was fun to see one of my haiku displayed so far from home.

the world so empty
without you in it -
summer sea

- Deborah P Kolodji
from fog and brittle pine, the 2007 Yuki Teikei Society Membership Anthology

After strolling through garden tranquility, we met at the viewing platform where Michael Dylan Welch explained the writing exercise we were going to do on our ginko walk. We were to write haiku on the theme of sound.

For awhile though, the only sound I heard was the whine of camera zoom lenses and the clicks of shutters.

garden ginko
the page empty,
the camera card full




Marilyn Sandall, Lenard D. Moore, Deborah P Kolodji
Seattle Japanese Garden, June 29, 2008


However, there was also some writing going on.



Michael Dylan Welch
Seattle Japanese Garden, June 29, 2008


In my case, the inner photographer won the battle with my inner muse at the beginning of the morning’s garden exploration.



Seattle Japanese Garden
June 29, 2008


Even turtles posed (but were so quiet).



Seattle Japanese Garden
June 29, 2008


stillness
not even the plop
of a turtle

It is a challenge to write “sound haiku” in a quiet place. But perhaps it is in that very stillness, in a place where each sound is magnified, that we can listen more fully.



Seattle Japanese Garden
June 29, 2008


copper glints
from the koi pond
jangling pocket change

After we returned to the viewing platform, Carmen Sterba gave a talk on kukai, which simply means “haiku meeting” in Japanese. She explained how haiku groups in Japan use the kukai to select haiku they print in monthly magazines, some of the smaller groups apparently print upwards of 500-1000 haiku a month.



Carmen Sterba
Seattle Japanese Garden, June 29, 2008


We wrote our haiku on blank index cards without our names, just like we do each month at the Southern California Haiku Study Group. But instead of handing the cards to an assigned reader like we do in our meetings at the Pacific Asia Museum, we handed them in to be numbered and taped to long tables where everyone could walk around and read them.



HSA Kukai
Seattle Japanese Garden, June 29, 2008


It was interesting to walk around and read the haiku instead of listening to them being read aloud. One humorous moment occurred when Lenard leaned over, pointed towards one of the haiku and whispered that it was a shame the author had written “wine” when he obviously meant “wind.” He told me he liked the haiku a lot but couldn’t vote for a poem with a misspelled word.

I gulped. The haiku was mine. And I had actually meant “whine.”

So, I stood there for a moment and frantically thought of ways I could fix it without anybody noticing. Then, Lenard asked me if I was reading another haiku in front of me (because I remained temporarily frozen in place) so I confessed that the one with the misspelling was mine. And we both had a good laugh over it.

As a group, we entered 47 poems in the kukai and we were each allowed to vote for 5. Unfortunately my haiku didn’t end up with any votes, but it was a fun experience. I enjoyed experimenting with a different way of doing a kukai. It might be interesting to do it with the Southern California group sometime, although it probably wouldn’t work in the two hours currently scheduled for our meetings.

Afterwards, we went to Cafe Flora, a local vegetarian restaurant.



(r to l) Michael Dylan Welch, Michael Evans, Alice Frampton, Carmen Sterba, Karma Tenzing Wangchuk, Bethel Prescott, Deborah Kolodji, Curtis Manley, Sue Miller, Lenard D. Moore


(r to l) David Ash, Ida Freilinger, Gerald McBreen, Brendan McBreen


After lunch, some of us returned to the garden where Duo En plays on Sunday afternoons from 1-3 pm.





John Falconer from Duo En
Seattle Japanese Garden, June 29, 2008

All too soon, it was time to say farewell to all of my new/old haiku friends. I’m looking forward seeing them all again at some other haiku gathering somewhere.



(l to r): Alice Frampton, Lenard D. Moore, Michael Dylan Welch, Deborah P Kolodji
June 29, 2008

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